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Shot across the country between 2013 and 2018, Vivek is a work of great ambition, really a report on Modi’s first term in power. It covers most of the big and small abominations now committed almost daily in India in the name of Hinduism: from cow vigilantism and the lynchings of Dalits, to the rewriting of history and attacks on higher education. But Patwardhan also spends time in the pockets of secular resistance that have emerged, profiling many activists (including the four murdered), journalists, students, and politicians. These are the two poles of the series, the villains and heroes. Their struggles and clashes are the highlights of an unfolding battle between faith and reason whose outcome Patwardhan believes will shape the future of Indian democracy.