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Greek tragedy survives today as words on a page, but ancient performances were distinguished as much for music and dance as for speeches and dialogue. Tragic poets were composers as well as playwrights. The aulos, a two-piped, reeded wind instrument, accompanied all choral odes, and its effect—at times solemn or languorous, at other times frenzied—was deemed crucial to the mood of the drama. A recent performance of Euripides’s Herakles at Barnard College showed how much is being recovered, thanks to recent archeological finds and research.