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The twenty-five paintings in “Come Softly to Me”—Fratino’s first solo show, at Sikkema Jenkins & Co.—range from gem-like portraits of friends and lovers to larger scenes of city life to a trio of alluring box lids, each measuring roughly 3.5 x 3.5 inches. Known primarily for his graphic but tender representations of queer intimacy, often set in the same apartment, Fratino here swaps domestic tranquility for psychogeography. Many of the featured works were made following a breakup, during a period marked by long walks around the city; they certainly embody an ambivalent relationship to this sudden windfall of hours. For all the new faces and encounters, the prevailing mood is one of charged solitude.
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