We’re away until January 3, but we’re reposting some of our favorite pieces from 2017. Enjoy your holiday!
Sometime in the late nineties, the cinematographer Roger Deakins took a kind of pilgrimage to visit his friend and mentor Conrad “Connie” Hall, who was living in semiretirement on a tiny island off Tahiti. The timing found Deakins visiting the older Hall—a three-time Academy Award winner and sort of tribal elder to directors of photography—as the industry-wide shift toward digital cameras was being met by a renewed nostalgia for film, and Deakins was excited to share how he’d recently remodeled his LA home to include a darkroom. “My expectations were shattered,” Deakins later wrote, “when Conrad pronounced the photochemical process ‘antiquated.’ ” Hall praised the possibilities of digital, telling Deakins he was happy to indulge any “technique that might have helped him develop as a visual storyteller.” That was Hall’s guiding mantra, and one the younger artist soon took up: “Story! Story! Story!”
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